The University of Western Australia Audio Installation
The Octagon Theatre at The University of Western Australia is
the most versatile of the several venues managed by University Theatres.
Opened in 1969, the thrust stage theatre was designed by Perth architect
Peter Parkinson based on advice from renowned theatre architect,
Sir Tyrone Guthrie. The greatest advantage of the thrust stage design
is the semi-circular seating plan that provides excellent sightlines
and an intimate environment, despite its 658 seat capacity. Adaptable
staging allows the thrust to be extended for dance productions or
removed to accommodate 100 extra seats in proscenium arch mode.
An orchestra pit is revealed when the stage floor is removed. It
is the only venue of its type in Perth.

The Octagon is a multi-purpose venue that is heavily booked for
University events, community and youth concerts and professional
touring acts. The venues’ flexibility ensures a large variety
of performance genres can be staged within the same week, including
dance, drama, opera, classical recitals, popular and contemporary
music, stand-up comedy, cultural events and public seminars and
conferences.
Playing an important role in sustaining the performing arts in
Perth, the Octagon provides professional facilities at an affordable
cost. Since opening in 1969, the Octagon has been a major venue
for the annual Festival of Perth (now Perth International Arts Festival)
and has staged major works of drama and music by some of the worlds
leading companies. Artists that have played the venue include Steven
Berkoff, Kerry Armstrong, Paco Pena, Michael Kieran Harvey, Marianne
Faithful, Bob Geldof, Henry Rollins, Eddie Izzard, Sean Hughes and
Sir David Attenborough. In recent years the Octagon has also become
the venue for the major productions by the Black Swan Theatre Company.
University Theatres have been systematically upgrading the venue
over the last 10 years to improve facilities for artists and patrons.
Improvements include refurbishment to the auditorium, foyers and
dressing rooms, new balcony, lift, dressing room and theatre lighting.
University Theatres are confident of sustaining the current level
of bookings and so long term plans for building new public foyers,
bar, box office and public facilities are on the agenda.
One disadvantage of the semi-circular auditorium design was the
difficulty in achieving an even dispersion of high quality amplified
sound. Despite trying several high quality systems in different
configurations over the previous years, there would inevitably be
dead spots in the auditorium where the sound was either too loud,
too soft or of poor intelligibility.
This problem has recently been solved with the purchase and installation
of the Nexo Geo tangent array. After trialling several different
configurations and products, the Nexo Geo S system was chosen for
its outstanding clarity, dispersion and compact design. Patented
speaker design and technology enable the Nexo system to provide
sound quality previously unattainable in the Octagon.
The system comprises of 5 Nexo Geo S805, 1 Nexo Geo S830 and 1
Nexo CD12 sub low per side. The system is controlled by Nexo NX
241 digital processing and utilizes Camco Vortex 6 and 4 amplification.
Kevin Hamersley, manager of University Theatres, describes the
new Nexo system as “extraordinary”. “It is just
amazing how this system fills the entire room with sound.”
He said. “The thrust stage style of the theatre previously
made it impossible to get even coverage throughout the semi-circular
auditorium. As soon as I heard the Nexo in the room I knew we had
found the system we were looking for. Our audio technician’s
are ecstatic!”
“Another major hurdle to cross was the requirement for the
system to be aesthetically discrete. Because we are a multi-purpose
venue and present both music and drama, we could not have large,
obtrusive speaker boxes interfering with the stage space and lighting
rig. The very compact size and dispersion characteristics of the
Nexo enabled us to mount them either side of the stage where they
are hardly noticeable.”
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